Track Alternatives in Logic - Helpful answers
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You can also save a project as a template, and use the template to create new projects. Templates make it easier to create projects with frequently used instruments or Mixer configurations, or video or surround projects, for example.
Screensets can be customized for each template or copied between templates using the various Import Settings commands. For more information, see Import data and settings from other Logic Pro projects. The first time you save a new project, the Save dialog appears. In the Save dialog, you can type a name choose the location to save the project. To save the project as a file package containing project assets: select the Organize my project as: Package button. To save the project as a folder containing subfolders for project assets: select the Organize my project as: Folder button.
For more information about managing project assets, see Manage project assets in Logic Pro. When you choose Save a Copy as, copies of all your recordings are saved in the project copy. Slipping a region is possible only when the source content exceeds the length of the region by the amount you slip or greater.
You can also rotate regions. Similar to slipping, rotating moves the region content left or right by the nudge value, but with the difference that content that extends past the region border on one side reappears on the other side, as though the region were a loop.
When an audio region is rotated, it is converted to a one-track folder indicated by a folder icon in the upper-left corner of the region containing two regions. If it is rotated multiple times, the number of regions in the one-track folder stays the same, but the junction point between the two regions moves through the folder, reflecting the extent of the cumulative rotation.
You can unpack the one-track folder, or unpack and merge it to a single region, by clicking the folder icon and choosing corresponding commands from the menu that appears. You can use slip and rotate to move the content of audio or MIDI regions. Tip: You can also move and resize regions numerically by opening an Event Float window.
See Use the Event Float window. If more than one region is selected, all subsequent regions are moved. Once again, go to the Track menu and choose Show Track Alternatives. Because all of the tracks are grouped, Logic creates a copy of the playlist on each track, effectively copying the entire arrangement, and assigns this to Track Alternative B.
You can now make dramatic changes to your arrangement knowing that you can always return back to Track Alternative A, should you wish to. Experiment with deleting regions, copying regions and muting regions to create a totally different arrangement. Now when you switch the Track Alternative back to A you should get your original arrangement back to compare with your new arrangement. If you want to create more alternative arrangements simply go back to Track Alternative A and once again use the duplicate option.
Screen 3: All the tracks in my arrangement are grouped by Track Alternative. Here we see the arrangement when all tracks are set to Track Alternative A. Now that you have created a series of different arrangements there may be individual tracks you wish to commit to the timeline, making them a permanent feature, unaffected by switches between Track Alternatives. Fixing a track in place is as simple as taking it out of the editing group.
You can continue to compare and change your different arrangement ideas in the other tracks, and cycle through Track Alternatives A, B and C as before, safe in the knowledge that changing Track Alternatives in grouped tracks will only affect the tracks within that group.
Screen 4: I have duplicated the arrangement in Screen 3 to Track Alternative B and then made a range of changes including deleting, moving and recording regions. I can now switch between the arrangement in Screen 3 and the one in Screen 4 using the Track Alternative drop-down on any track. Because all tracks are grouped, all the playlists will switch simultaneously. Track Alternatives can be used to great effect when collaborating with other musicians.
For example, if you have a composition that you want to let someone else work on, you can assign all of the tracks to Track Alternatives, then duplicate the entire arrangement to Track Alternative B and then give your collaborator the freedom to change any aspect of the arrangement.
This is great fun knowing that you can easily return any element in the arrange window back to how you had it before by switching that track to Track Alternative A. Just bear in mind that Track Alternatives do not save Channel Strip settings and any track-based automation will affect all Track Alternatives.
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